I wanted to talk about the monster in Frankenstein. There are several themes on Frankenstein—one of them is the victim and victimizer theme. I’m going to examine the role of the monster. Is he good or bad? Is he the victim or victimizer? First, I want to examine his creation. Another theme in the novel, the unnatural creation applies to the monster. He was not made by God nor woman—making him a monster. He was made by Victor, a scientist who was obsessed with the creation of life. After Victor saw the results of his creation, he was so terrified that he abandoned the monster. An interesting question to pose here is: If Victor knew that the monster he created was sympathetic and human-like except for his outer appearances; would he still have abandoned him? Nevertheless, Victor did abandon him and this traumatized the monster. At this point in the story line, the monster is definitely the victim of Victor’s obsession with the creation of life. Through the monster’s recounts, the readers become aware of the human-like nature of the monster. As the monster recounts his observations about the Delaceys, it becomes clear that the monster has emotions and sympathy, whether that be feeling guilty of stealing their food because they suffer from poverty or actually helping them out by fetching firewood every night. Like a creature without a father, the monster becomes very closely attached to the Delaceys. He sees how close the Delaceys are and begins to understand what a family is. The Delaceys are the antithesis of the monster’s existence. They are a family—they care for each other like a genuine caring community. On the other hand, the monster is alone. He is the epitome of isolation, much like Grendel was. Desperately needing companion, Victor decides to approach the Delaceys even though he has seen his horrible image. Assuming that the Delaceys will accept him for who he is and provide him with the companionship he yearns for, he approaches the blind man. Things go wrong and the Delaceys drive him off with violence. This is the turning point for the monster. Before this point, the monster was an innocent victim. But now, he has transformed into a true monster—one with a desire for revenge and blood. But now we have to ask ourselves: whose fault is it? The monster eventually ends up killing two people, both indirectly and directly. There are far and few instances where killing is justified, and this case is no different. The monster’s murders are in no way justified, despite the fact that he was constantly abandoned by society. However, his actions can all be traced back to his creation. It was Victor, not the monster, that decided to partake in the act of unnatural creation. Furthermore, Victor abandoned the monster that was lost and helpless in our judgemental and cruel society. So in this respect, I believe that Victor is the victimizer and the monster is the victim. Although the monster becomes more “monsterly” as the novel progresses.
Thursday, December 10, 2009
Saturday, November 21, 2009
Beowulf and Grendel
In the last two chapters of Grendel, Beowulf and the Geats arrive to save the Danes. Beowulf is strikingly different from how he was described and portrayed in the original epic poem. Although the Beowulf in the novel Grendel has the same physical attributes and strength as Beowulf did in the original epic poem, the similarities end right there. In the epic poem, Beowulf is portrayed as a great man who possesses all the heroic qualities an archetypal hero should have. He represented the values and morals of the wergild society that dominated back then. Honor, generosity, and loyalty all perfectly characterized Beowulf. There was no question in the epic poem that Beowulf was the good guy. However, John Gardiner changes this in Grendel. He makes Beowulf look so different from the original Beowulf in the epic poem that I was unsure of the character Beowulf after I had finished reading the very confusing novel Grendel. To me, Beowulf seemed really creepy. During the fight between him and Grendel, Beowulf starts to menacingly whisper very weird things in Grendel’s ears. Perhaps it’s because the readers, including myself, were so used to Grendel that we felt sympathetic towards him. It’s almost like the roles of Grendel and Beowulf completely switched in the novel Grendel. Grendel in the original epic poem is a complete heartless monster who does not think and just kills as many people as he can. I think that I got perhaps attached to the character Grendel. In the novel, Grendel is portrayed as a monster who was abandoned and very lonely. He also doesn’t know who he really is himself. The novel centers around Grendel setting out on a quest to really discover himself. Also, Grendel thinks a lot. I would have never expected Grendel to be a thoughtful monster from the original epic poem, but he is in the novel. He constantly thinks about not only events, but the world in general. The opening chapter in the novel took me by surprise. He appears to have a very sinister view of the world but at the same time seems very knowledgeable. He completely understands the mechanical nature of the ram. It is revealed in the next chapter that he began to understand that the world was a mechanical place from the bull he encounters. When Grendel accidentally entraps himself between the tree trunks, a bull appears. Grendel is at first frightened by the bull as he looks as if he is ready to attack. When the bull begins to run at Grendel to pierce him with his horns, Grendel is frightened. However, when the bull tries to attack the same spot every single time he attacks, grendel starts to laugh as he realizes the harmlessness of the bull because he is a mechanical animal who can not think. It is things like this that portrays Grendel as a monster who constantly thinks about his surroundings. In the end when Grendel dies, I honestly felt kind of sad.
Monday, November 16, 2009
Shaper and Dragon
The character Shaper in Grendel fascinates me. On the outer surface, he seems like a mere old man who entertains the Danes. But he has such a greater role. To begin to understand his character, we need to know some historical context of when the events of Beowulf actually occurred. During that time, writing had not really been developed. As a result, stories were passed orally and essentially, this preserved the culture of the Danes. Thus, these story tellers were just as important and respected as the warriors because the story tellers were protecting the identity of their culture. I could only imagine the royal treatment and respect these shapers received from the people. The shapers were the only people who knew the history of the people.
The shapers also dramatically rewrote much of their history. They had all the power to do so and purposely exaggerated man’s glory in all their songs. For example, if the Danes fought a war with the Geats and won by a narrow margin, the shapers would definitely claim that they had trampled over the Geats. Therein lies one of the major sources of the Shapers power. They made history. They wrote it. They altered it. That earned the deep respect of Grendel. Strangely, a monster even like Grendel understands the power the Shaper possess. The poetry the Shaper sings tears apart Grendel. He also knows that most of the lyrics the shaper is singing is false and untrue. However, the power of poetry makes Grendel want to believe whatever the Shaper is saying.
The Shaper is probably an accurate representation of the powerful story tellers before writing was widely used. All shapers probably twisted and changed the stories to over glorify man. It is interesting to note that the Shaper and dragon are like opposites. Even though they are opposites, they both are similar in that they have a significant influence on Grendel. The Shaper’s poetry makes Grendel want to believe him about everything. At the same time, the dragon hates the Shaper and refuses to listen to what Grendel has to say about him. In class we briefly discussed whether the shaper and dragon was good or evil. The general consensus was that people thought neither the dragon nor shaper was necessarily evil or good. However, I think that Shaper is evil and that the dragon is good. A main characteristic of the devil is twisting the truth so that it appears to be true but in reality isn’t. The shaper fits this description perfectly. On the other hand, the dragon seemed to be almost like a God figure to me. His deep voice and large body as well as his ability to see the future, past, and present make him seem omnipotent. It is ironic to note that the dragon is in a body shaped like a serpent. A serpent in literature usually represents a devil but I think in this case it doesn’t necessarily imply that the dragon is evil. I don’t know. Grendel makes my head hurt.
Sunday, November 8, 2009
Everything
I found that Jane Austen left the majority of development part of Elizabeth and Darcy’s relationship until this last volume. In fact, Austen really didn’t develop Mr. Darcy until this last volume either. Throughout the first two volumes, the readers were under the false impression that Mr. Darcy was an arrogant and cold person. However, the Mr. Darcy in the last volume was shockingly different. He was warm and compassionate. He shed his arrogant image and became someone that seemed like a “true” gentleman. And it is with Elizabeth’s realization of Mr. Darcy’s true nature that makes her fall in love with him. The scene with both of them in the park is really memorable. When Mr. Darcy finally confronts Elizabeth of her feelings towards him, she is relieved that he has asked her this. With relief and joy, she states that her once animosity-feelings have all evaporated and that they have turned into love and affection. I believe that Jane Austen used both the couples to criticize society. During the time this book was written, people married not based on love but rather based on financial status. She is criticizing this practice by intentionally making the rather modest Bennett girls to marry into the upper social level hierarchy.
This week in AP Lit, we started to read the novel Grendel. Based on the epic poem Beowulf, Grendel is a novel that is cleverly written from Grendel’s point of view. There are many references of places in Beowulf throughout Grendel. For example, the tree in the middle of the lake where Grendel resides in Beowulf appears in Grendel as well. I believe that because we recently read Beowulf, we can understand and appreciate Grendel a lot more. These little references and intertextuality ties in with what Foster said in his novel How to Read Literature like a Professor. In other words, the reading of Beowulf enhances the text of Grendel.
My initial impression of Grendel was a bit peculiar. From Beowulf alone, I thought that Grendel was this demon like monster who was out to kill as many innocent human beings as possible. However, the initial description of Grendel in Grendel altered my view towards him. From the novel Grendel, it appeared that Grendel was a helpless monster who was rejected by society. And therefore had no choice but to kill the human beings. He realizes that this ideology is flawed, and he even calls his war with the humans “idiotic”. I’m excited to understand more about his character.
Sunday, November 1, 2009
Beowulf
Monday, October 26, 2009
pride and prejudice
The idea that marriage should be based on financial situations was prevalent during the era in which this book was written. I believe that Jane Austen is against this idea as she uses Mr. Darcy and Elizabeth. Their relationship starts as a bitter one. Mr. Darcy is pompous and arrogant in the beginning of the novel. His good looks and height are shadowed by his negative personality. At first, Mr. Darcy tries to pry away Mr. Bingley from Jane as he considers the Bennett household too poor to be a suitable match for his friend. However, as the novel progresses, Mr. Darcy starts to develop feelings for a common girl like Elizabeth. He starts to linger around her a lot and there are many instances where there is awkward silence between the two. Mr. Darcy eventually confesses his love to Elizabeth in a condescending way and Elizabeth becomes indignant. However, through his letter he wrote for Elizabeth, she forgives him. The readers then reazlize even an aristocrat like Mr. Darcy can change in the face of look and over come the financial barrier that seperates the two love birds. It is through the relationship between Darcy and Elizabeth that Austen criticizes the concept of marrying based no financial situation instead of love. She is trying to create a model couple that marries based on love. In essence, the relationship between Mr. Collins and Charlotte is the foil to the relationship between Elizabeth and Mr. Darcy
Monday, October 19, 2009
The Doll's House
Her husband Torvald is beginning to become too creepy for me. It seems like he is a demented character who treats Nora as a little doll he likes to play with. He does not genuinely love Nora and considers her his trophy. This view of her can be seen when at the dance party he made Nora perform the tarantulla dance. After she dazzled the crowd, he quickly departs with Nora despite her objections. Then he proceeds to say that if they lingered any more, the effect would wear up. His response reveals the fact that Torvald’s male dominance is expressed through him showing his trophy wife Nora to the public. He even goes on to claim that Nora is his greatest prize. In essence, Torvald does not consider Nora as even a human being let alone his love. Nora is like a doll he loves to play with. He can dress her in anything he wants, play with her whenever he wants, and show off his pretty doll to the public. The initially humorous conversation between Torvald and Nora is definitely becoming twisted and demented now. I initially thought that the reason why they talked to each other in such a bubbly and superficial way was because of the fact that they were in the puppy dog love stage in their relationship. But it is clear that this is not the case and that the reason is something much more demented. Torvald’s desire to make Nora his Barbie doll is the real reason why they talk to each other in such a superficial fashion. I become creeped out whenever they talk now because I realize that Torvald is twisted in the brain.
Sunday, October 4, 2009
ATKM Tragedy
Sunday, September 27, 2009
Blindness in Literature
Saturday, September 19, 2009
Loneliness
The story loneliness is about a man named Enoch Robinson. Enoch is mentally unstable and very unfortunate. Loneliness begins with a brief description of Enoch’s childhood. Although it is easy to pass over his childhood, his childhood must be carefully examined as it contains many clues about figuring out Enoch Robinson as a person. The earlier parts of the story stated that Robinson grew up in a barn that had windows that were never open. The windows serve as a medium for Enoch and the real world. Because the windows are shut, Enoch is lonely and cut off from the real world. He is not able to successfully develop his real world and people skills. This translated into his high school life as Enoch was described to be a very timid and silent high school student. As life went on, Enoch decided he wanted to pursue art so he enrolled in a French art school. He also started hanging out with the artist group. When the artists convened and discussed art, Enoch was unable to. The story says that Enoch was simply too excited to get his words out. But he had this burning desire to speak and voice his opinions to these artists. After awhile, Enoch became sick of the fact that he couldn’t talk and express his views. Perhaps this is the precise reason for Enoch creating imaginary people. He started to create imaginary friends who would be completely understanding of Enoch. Among his imaginary friends, Enoch had everything he wished for. He could now be his egotistical child self and boss all of his imaginary friends around. He would have this “absurd air of importance”. This air of importance is what he was missing all his life. From his childhood to his coming of age, he never experienced what it was like to be important and to be heard. This changed once Enoch started creating imaginary friends. He was genuinely happy and satisfied with them because he finally felt what it was like to be important. Satisfaction led him to believe that he didn’t need anyone else in his world so he stopped hanging out with the artists and inviting them over to have art discussions. In his own world, Enoch was the all-important figure he wanted to be in real life. But happiness can only be temporarily forced. Sooner or later, something had to shatter his world. One day, a woman comes to his apartment where Enoch decides to tell her everything. This obviously included his imaginary friends. He became extremely angry with her because he realized that she wasn’t like his imaginary friends where they could be controlled at will and she couldn’t. This must have been a harsh reminder for Enoch as all his imaginary friends followed the woman when she left his apartment. His imaginary friends never came back and that put an abrupt end to Enoch’s perfect world where he reigned supreme. He then went back to Winesburg as an old and defeated man.
Sunday, September 13, 2009
Grotesques
Winesburg, Ohio can be classified as a collection of short stories. The novel takes place in the fictional town in Ohio called Winesburg. The story doesn’t really have a main character. The closest character that resembles a main character is George Willard. George Willard is a reporter for a local newspaper. The novel begins with a prologue where an unnamed man is obsessed with his theory of grotesques. As he is sleeping, he sees everyone that he has ever met as grotesques in his dreams. After waking up from this sleep, this man writes down everything he saw and rambles on for hundreds of pages in a book called The Book of Grotesques. The old man claims that there are numerous “beautiful” truths in this world and that all of them are valid. The problem arises when someone tries to live by only one truth. This makes them distorted and transforms them into grotesques. This prologue is what connects all the different stories in the novel even though the stories sometimes seem to have no relation to each other. Every single story in the novel revolves around a character who is a grotesque because they only believe in one truth. An example is the story revolving around Wash Williams. A fat and unattractive man, he tells George of his past. He claims that he was handsome and lean in the old days when he was married to his wife. But he found out that she was cheating on him so he left her and went to a different town. One day, his mother in law invited both him and her daughter to her house. Thinking that his wife was going to apologize, he reluctantly decided to go to his mother in law’s house. When he was there, he found out that his wife and her mother conceived a despicable plan of trying to make him forgive his wife by using sex as a tool. This made him infuriated as he then believed that all women were despicable. From that moment on, he referred to all women as “bitches”. This is the one “truth” that he decided to believe in and it made him into a grotesque as he became obese and anti social. But let’s examine the “truth” that the unnamed author talks about in the prologue. He claims that there are many different truths that are all legitimate and people only become grotesques if and only if they only believe in one truth. Does that mean if Wash had believed in another truth in conjunction with the one that claims all women are despicable he would have been not become a grotesque? I think that the definition of truth that is described in the prologue is too vague to determine the answer to this question. What happens if Wash Williams believes in two completely different but both “negative” truths? In my opinion, Wash Williams would have still become a grotesque even if the truths were completely different.